All rights reserved. For more info, visit joematera. Most Recent Articles. Steve studied our equipment, and made a list of all the microphones and preamp combinations he would use to record our band see detailed list below. I think that is a mistake as there are just as many different sounds coming out of an electric guitar amp as there are different sounds in a forest. Additional text, as well as a short video tour of the studio see Web Clip 1can be found at emusician. For more-detailed guitar passages, I'm more likely to favor the microphones close to the player's hand. It's not really that much of a problem. I got the most out of that desk because I had to be inventive, I had to figure out how to solve problems one after another. Toontrack 43, views.
Steve Albini has become a legend in the world of alternative music by championing traditional engineering I don't normally process the guitar while recording.
Video: Steve albini guitar recording Steve Albini talks about some of his recording muktabodhalib.org4
PRODUCTION EXPO Steve Albini's CV includes production . Lots of people will want to know, what's your secret to recording guitars? I want to speak a little about miking guitars in the studio. An integral part of one's recording projects are microphones and the positioning of.
But the idea behind the studio is that you can do essentially any project here.
When I was first starting out, if I had had a channel board and a channel machine and a raft of microphones and outboard gear and assistants and stuff like that, I would never have learned how to be as resourceful as I have. Occasionally I'll have a stereo microphone out in front of the instrument, sort of from an audience perspective. If it's a band with one guitar player, sometimes it sounds better if you keep the mics separated and use them as a pseudo-stereo image.
Electric Engineering Steve Albini EMusician
Video: Steve albini guitar recording RSR078 - Steve Albini - Electrical Audio, Recording Nirvana, & Shellac
Steve Albini likes his guitars scratchy, raw, and dry as hell. STEVE ALBINI'S NO-NONSENSE APPROACH TO So why record five microphones on the guitar if only one of them sounds good?
Or why do. The Secret to Miking Guitar Amps.
Ribbon mics and proper spacing are part of my techniques for good guitar sound. BY STEVE ALBINI record electric guitar in a.
The next video is starting stop. We immediately unpacked our gear, impatient to hear how the drums, bass and guitar would sound cranked up in the carefully constructed rooms.
There was a vast musical history cemented into these walls, and soon enough we would become a part of it. James Gassonviews.
How Grandfather Made a Record With Steve Albini in Three Days, Part II — SonicScoop
If you're recording music that has certain technical demands on it, and you can't satisfy those demands, you should move the job to another studio. Mix With The Mastersviews. I can work on them all day and my ears never hurt, and that's not true of almost any other near-fields.
Or if there's beaming in the high frequencies and where you move your head changes the sound quality a lot; that kind of stuff.
Bass To best understand where Albini stands regarding bass tones, listen to one of his own songs. The low end was transparently clear, and could be equally felt and heard. For most of the sessions I do, track is an ideal format. The whole attic of the house was a control room; the playing areas were in the basement. Sign in to report inappropriate content.
Steve Albini on his gear and recording knowhow MusicRadar
I can work on them all day and my ears never hurt, and that's not true of almost any other near-fields.
Steve albini guitar recording
|Normally I'll have a mic on the bass side and another on the treble, very close to the player's picking hand.
Useful Links. This feature is not available right now. Beginning with the drums, how do you typically mic them? Loading playlists Defusedclock October 5, at pm 9 years ago.
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